
Description
It’s been on my heart for quite some time to record a more Folk oriented album. Few musical styles have the ability to reach into one’s soul, as Folk Music and its close cousins Blues and Classic Country. I suppose these styles are referred to as Roots Music for a reason, they speak to the core, the root, of the human experience. As a young man, coming of age in the 60’s and 70’s, I was witness to something amazing that happened to Rock and Roll. It grew up. It became protest music, Psychedelic music, music of conscience, music of substance. And when Folk and Country became Folk-Rock and Country-Rock, well, I was hooked and more than that, I was inspired. I wanted to do that, be a songwriter, create my own music.
When I wrote my song “Gentle Man” about my father shortly after he passed in August of 2019, I knew I wanted it to be on my next album, and I knew I wanted it to be surrounded by songs of deep meaning and significance, songs that spoke to what it means to be human, to live this life filled with ups and downs, trials and tribulations, self-doubt and self-reflection. I had written some more Folk oriented songs for previous projects but for this one I wanted them to all be more or less in that vein. In Conversations with my young cousin, Paul Demer, who produced this album, it became clear that this was the direction I wanted it to take.
This isn’t necessarily a thematic album, though all of these songs in one way or another speak to the human condition, sometimes good, sometimes not so good. And it’s true that we’re all in this thing together so, we need to figure out a way to get along with each other. None of us are perfect, we all have our own issues to work through so we need to learn how to treat ourselves and others with some kindness and some grace. I named this album after my Dad who was my hero and my best friend. In him I saw what it meant to be a good person, a kind and gentle Man who lived a life of fierce love and devotion to The Lord, to his family and a life filled with grace and respect for others. My Dad lived by the Golden Rule. He did unto others as he would have had them do unto him. It is my desire to honor his legacy by striving to grow and to become more like him. So, maybe in a way, this album is thematic. Let the listener decide.
Notes & Lyrics:
I’m speaking to a dear friend who’s been so badly hurt and those wounds are so deep and so painful that they cannot trust anyone enough to open up and let them in. So, they’ve created this false persona, a mask, to hide behind in order to fit in. The “hole in your heart, where the light used to live” is the tension between the real self and this made-up self. Because of this they are slowly losing touch with who they really are and what their life is about. This song is calling out to them to let go of their anger and accept healing.
I wrote this song for my Dad, soon after he passed away in August of 2019. He was my hero and my best friend. He was the voice of reason I would often seek out when I felt lost or needed guidance. He was dearly loved and greatly respected by anyone who knew him. I want to honor his life and his legacy which is why I wrote this song and named this album after him. I miss him so very much.
A good friend once told me that you’re not a real songwriter until you’ve written a good Murder Ballad. I don’t know if that’s true or not, but since then I’ve written two. I guess I just wanted to be doubly safe. I’ve always been fascinated with history, especially the old “wild west.” So, I decided to create a murder ballad around the theme of the California Gold Rush, circa 1848 – 1855. It’s a totally fictitious account, any resemblance to persons, places or events is purely a coincidence.
I was missing my home state of North Carolina one day and at the time had my guitar in my hands, noodling around and out popped this song. I’m a sucker for nostalgia and reminiscence, always have been. No matter where I roam or where I take up residence, The Old North State, North Cackalacky, will always be my home and the place where my heart resides.
When I wrote this song, I was going through a period of doubt and deep self-reflection. Somewhat of an internal battle was raging between beliefs and dogma I had always held to be true and the possibility that some of those beliefs were possibly not so true. I’ve come to reason out some of those questions but some remain to be answered. Am I doing well? Sometimes I can answer with a yes, but sometimes I cannot. I suppose that’s just life and living and sometimes it’s just too easy to pretend everything’s just fine.
I wrote this song in the early days of the COVID pandemic. In 2017, I retired from a 40 plus year career as a Respiratory Therapist to focus on the true love of my life, music and being a songwriter and performer. When COVID shut everything down, I came out of retirement to help. This song focuses on the pandemic from the viewpoint of the healthcare workers who gave their all, some of them quite literally, to take care of those who were sick and dying from the disease. It was a dark time.
This song is a rebuke of “Cancel Culture” and social media shaming because someone doesn’t like someone else’s beliefs or what they post on Twitter, Facebook, or wherever. They try to cancel them, label them as purveyors of “hate speech,” demonize them and make them a non-person just because they don’t like what they say. It’s a song about free speech, about the loss of civil discourse and spirited debate. I’m what one would call a classical or old school liberal who believes in those values. It’s time this stops.
I wrote this song the day after I learned of the death of one of my all-time songwriting heroes, John Prine. He absolutely is one of the reasons why I became a songwriter. His songs were never complicated and always spoke to the things of life and living it. He sang about love and loss, truth, social justice, and sometimes just to poke fun at people and things. I figured I could do the same, so I set out to learn to write a song or rather, a bunch of songs, haha!
Gentle Man Album Credits
Mitch Hayes: Lead Vocals, Acoustic Guitars, Percussion, Banjo on track 8
Paul Demer: Acoustic Guitars, Electric Guitars, Percussion, Background Vocals
Erin Hayesoweth: Background Vocals, Flute, Distorted Flute on track 6
Logan Bowers: Drums, Percussion
Ben Grace: Organ
Nathan Shores: Cello
Aaron Fabbrini: Pedal Steel
Zach Light-Wells: Banjo on track 4
Tom Demer: Violin, Viola, Fiddle on track 4
Melanie Demer: Violin, Viola
Produced and Engineered by Paul Demer, Dallas, TX
Mixed and Mastered by Chris Bethea, Minneapolis, MN
All Songs Written by Mitch Hayes (BMI) except: Enemy and Dear John, written by Mitch Hayes (BMI) and Paul Demer (BMI)
Strings on Track 1 arranged by Paul Demer and Tom Demer
Song Lyrics: MitchHayesMusic.com
Contact/Booking: Mitch@MitchHayesMusic.com